• The Yves Klein Series That Saw Naked Women Become the Paintbrush

    12 days ago - By AnOther

    For a 1958 exhibition entitled The Specialisation of Sensibility in the Raw Material State into Stabilised Pictorial Sensibility, The Void - shortened, thankfully, to The Void - Yves Klein exhibited nothing. The French artist had emptied the Parisian gallery's room, save for a single glass-fronted cabinet, painted it white and invited guests to view his latest masterpiece - guests who, thanks to the imposing blue curtain outside the gallery and cocktails of...
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